Disposition der Walcker-Orgel, Opus 2150
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1927
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1989
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Hauptwerk (I.Manual)
1 |
Principal ab c° |
16' |
2 |
Weitprincipal
C-H aus Principal 8' |
8' |
3 |
Principal |
8' |
4 |
Fugara |
8' |
5 |
Bordun |
8' |
6 |
Rohrflöte
C-H aus Bordun 8' |
8' |
7 |
Dulciana |
8' |
8 |
Oktave |
4' |
9 |
Blockflöte |
4' |
10 |
Quinte |
2 2/3' |
11 |
Oktave |
2' |
12 |
Kornett I-V |
8' |
13 |
Mixtur II-V |
1 1/3' |
14 |
Cymbel III |
1' |
15 |
Tuba |
8' |
|
Hauptwerk (I.Manual)
1 |
Principal ab c° |
16' |
2 |
Weitprincipal |
18' |
3 |
Principal
C-H aus Principal 8' |
8' |
4 |
Fugara |
8' |
5 |
Bordun |
8' |
6 |
Rohrflöte
C-H aus Principal 8' |
8' |
7 |
Dulciana |
8' |
8 |
Octave |
4' |
9 |
Blockflöte |
4' |
10 |
Quinte |
2 2/3' |
11 |
Flöte |
2' |
12 |
Oktave |
2' |
13 |
Kornett I-V |
8' |
14 |
Grossmixtur IV-VI |
2 2/3' |
15 |
Mixtur II-V |
1 1/3' |
16 |
Cymbel III |
1' |
17 |
Trompete |
16' |
18 |
Tuba |
8' |
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Schwellwerk (II. Manual)
16 |
Gedackt |
16' |
17 |
Flötenprincipal |
8' |
18 |
Konzertflöte
C-H aus Flötenprincipal 8' |
8' |
19 |
Quintatön |
8' |
20 |
Salicional |
8' |
21 |
Unda maris ab c° |
8' |
22 |
Principal |
4' |
23 |
Nachthorn |
4' |
24 |
Spitzflöte |
4' |
25 |
Quintflöte |
2 2/3' |
26 |
Bachflöte |
2' |
27 |
Terzflöte |
1 3/5' |
28 |
Quinte |
1 1/3' |
29 |
Septime |
1 1/7' |
30 |
Sifflöte |
1' |
31 |
Groß-Cymbel IV-VII |
1 1/3' |
32 |
Rankett |
16' |
33 |
Klarinette durchschlagend |
8' |
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Schwebung II
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Schwellwerk (II. Manual)
19 |
Gedackt |
16' |
20 |
Flötenprincipal |
8' |
21 |
Konzertflöte
C-H aus Flötenprincipal 8' |
8' |
22 |
Quintatön |
8' |
23 |
Salicional |
8' |
24 |
Unda Maris |
8' |
25 |
Principal |
4' |
26 |
Nachthorn |
4' |
27 |
Spitzflöte |
4' |
28 |
Quintflöte |
2 2/3' |
29 |
Oktave |
2' |
30 |
Bachflöte |
2' |
31 |
Terzflöte |
1 3/5' |
32 |
Quinte |
1 1/3' |
33 |
Septime |
1 1/7' |
34 |
Sifflöte |
1' |
35 |
Mixtur IV-VI |
2' |
36 |
Gross-Cymbel IV-VII |
1 1/3' |
37 |
Rankett |
16' |
38 |
Klarinette durchschlagend |
8' |
39 |
Rohrschalmey |
8' |
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Schwellwerk (III. Manual)
34 |
Gambe |
16' |
35 |
Celloprincipal |
8' |
36 |
Gedackt |
8' |
37 |
Gemshorn
C-H aus Gedackt 8' |
8' |
38 |
Viola |
8' |
39 |
Voix céleste ab c° |
8' |
40 |
Geigenprincipal |
4' |
41 |
Quintatön |
4' |
42 |
Orchesterflöte |
4' |
43 |
Gemshornquinte |
2 2/3' |
44 |
Schwiegel |
2' |
45 |
Progressio Harm. III-V |
2' |
46 |
Dulcian |
16' |
47 |
Oboe |
8' |
48 |
Krummhorn |
8' |
49 |
Geigenregal |
4' |
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Schwellwerk (III. Manual)
40 |
Gambe |
16' |
41 |
Celloprincipal |
8' |
42 |
Gedackt |
8' |
43 |
Gemshorn
C-H aus Gedackt 8' |
8' |
44 |
Viola |
8' |
45 |
Voix Celeste ab c° |
8' |
46 |
Geigenprincipal |
4' |
47 |
Quintatön |
4' |
48 |
Orchesterflöte |
4' |
49 |
Gemshornquinte |
2 2/3' |
50 |
Schwiegel |
2' |
51 |
Quinte |
1 1/3' |
52 |
Progressio Harm. lll-V |
2' |
53 |
Scharff IV |
1' |
54 |
Dulcian |
16' |
55 |
Oboe |
8' |
56 |
Krummhorn |
8' |
57 |
Geigenregal |
4' |
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Schwellwerk (IV. Manual)
50 |
Nachthorn |
16' |
51 |
Starkprincipal |
8' |
52 |
Viola di Gamba |
8' |
53 |
Doppelflöte |
8' |
54 |
Gedacktquinte |
5 1/3' |
55 |
Praestant |
4' |
56 |
Kleingedackt |
4' |
57 |
Gemshornterz |
3 1/5' |
58 |
Groß-Kornett I-VIII |
16' |
59 |
Fagott |
16' |
60 |
Posaune |
8' |
61 |
Trompete |
4' |
62 |
Celesta |
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Schwebung IV
|
Schwellwerk (IV. Manual)
58 |
Nachthorn |
16'
|
59 |
Starkprincipal |
8' |
60 |
Viola di Gamba |
8' |
61 |
Doppelflöte |
8' |
62 |
Gedacktquinte |
5 1/3' |
63 |
Praestant |
4' |
64 |
Kleingedackt |
4' |
65 |
Gemshornterz |
3 1/5' |
66 |
Blockflöte |
2' |
67 |
Gross-Kornett I-VIII |
8' |
68 |
Mixtur V |
2' |
69 |
Fagott |
16' |
70 |
Posaune |
8' |
71 |
Horn |
8' |
72 |
Trompete |
4' |
73 |
Celesta |
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Fernwerk (IV. Manual)
63 |
Quintatön |
16' |
64 |
Hellprincipal |
8' |
65 |
Echo-Bordun |
8' |
66 |
Vox angelica |
8' |
67 |
Gemshorn |
4' |
68 |
Flageolet |
2' |
69 |
Glockenton II-IV |
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70 |
Horn |
8' |
71 |
Vox humana |
8' |
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Schwebung
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Pedalwerk
72 |
Untersatz
C-H, ab c° aus Subbaß 16' |
32' |
73 |
Obertöne |
10 2/3' + 6 2/5' |
74 |
Kontrabaß |
16' |
75 |
Flötenbaß |
16' |
76 |
Subbaß |
16' |
77 |
Salicetbaß
Transmission aus Gambe 16' III. Man |
16' |
78 |
Sanftbaß
Transmission aus Nachthorn 16' IV. Man |
16' |
79 |
Obertöne
Transmission aus Gedacktquinte 5 1/3' u. Transm.
aus Gemshornterz 3 1/5' IV. Man. |
5 1/3' +
3 1/5' |
80 |
Oktavbaß |
8' |
81 |
Violoncello
Transmission aus Celloprincipal 8' III. Man. |
8' |
82 |
Baßflöte
Transmission aus Doppelflöte 8' IV. Man. |
8' |
83 |
Choralbaß |
4' |
84 |
Pedalmixtur VI |
2 2/3' |
85 |
Kontrabaßtuba |
32' |
86 |
Baßtuba |
16' |
87 |
Dulcianbaß
Transmission aus Dulcian 16' III. Man. |
16' |
88 |
Baßposaune |
8' |
89 |
Baßtrompete
Transmission aus Trompete 4' IV. Man. |
4' |
90 |
Singend Kornett |
2' |
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Pedalwerk
74 |
Untersatz
C-H, ab c° aus Subbaß 16' |
32' |
75 |
Obertöne |
10 2/3' + 6 2/5' |
76 |
Kontrabass |
16' |
77 |
Flötenbass |
16' |
78 |
Subbass |
16' |
79 |
Salicetbass
Transmission aus Gambe 16' III. Man |
16' |
80 |
Sanftbass
Transmission aus Nachthorn 16' IV. Man |
16' |
81 |
Obertöne
Transmission aus Gedacktquinte 5 1/3' u. Transm.
aus Gemshornterz 3 1/5' IV. Man. |
5 1/3' +
3 1/5' |
82 |
Oktavbass |
8' |
83 |
Violoncello
Transmission aus Celloprincipal 8' III. Man. |
8' |
84 |
Bassflöte
Transmission aus Doppelflöte 8' IV. Man. |
8' |
85 |
Choralbass |
4' |
86 |
Feldflöte |
2' |
87 |
Pedalmixtur VI |
2 2/3' |
88 |
Kontrabasstuba |
32' |
89 |
Basstuba |
16' |
90 |
Dulcianbass
Transmission aus Dulcian 16' III. Man. |
16' |
91 |
Bassposaune |
8' |
92 |
Basstrompete
Transmission aus Trompete 4' IV. Man. |
4' |
93 |
Singend Kornett |
2' |
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Fernpedal
91 |
Horn |
16' |
92 |
Choralbaß |
8' |
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Grau unterlegt sind die neu hinzugefügten Register
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